Anton Veenstra's Textile Blog

my textile career from 1975

Spielberg A I 2001

Tonight, I watched the movie A I by Steven Spielberg, starring the amazing child actor Haley Joel Osment. The movie had such intense religious connotations I cried and went to bed with a headache. Osment’s role of an android trying to adapt to human ways and being enmeshed in the love of his mother and father typified the theme common these days of a Sheldon Cooper or a brilliant but Asberger’s child, ill equipped to manage the social complexities of our world.
Osment frankly has the wondrous demeanour of the Christ child, except that, for reasons of religious necessity, the Christ was always depicted as calmly all knowing, while Osment is slightly cross eyed and puzzled about everything, adorably so; oops, there’s the worshipfulness.
Then, of course, there is a more modern, existential debate about what constitutes human consciousness. The scene of Savanarola intensity, in the circus ground, where the ring master defends his Inquisition-like demolition of the mecha androids, describing their existence as an insult to humans, was barbarity personified. As Shakespeare wrote, “If you prick me, do I not bleed?” It was profoundly disturbing to watch even mechanical consciousness destroyed in such a peremptory fashion. Some robots protested to the end, others accepted their fate smilingly. It reminded me that the order by psychopathic Spanish monks of the Inquisition to immerse heretics in boiling oil had to be discontinued; even hardened executioners were unable to listen to the tortured cries.
Perhaps the movie was made more poignant because earlier on ABC I had watched a story about gay rights in India, where the second highest national court had legalised homosexuality, only to have the superior court reimpose illegality. In that climate of intolerance an unfortunate young man, a doctor no less, caught smooching with his lover in a parked car, with clearly no where else to go, was confronted and blackmailed by a corrupt policeman, exacting money and sexual favours, so typical of the “morality police” in many such cultures. Another individual was threatened with hormone treatment except for the sympathetic and timely intervention of his father with an enlightened cry that homosexuality was natural, and nothing natural needs or can be cured.

His mother was doubtless traditionally unsympathetic because of her desire for grandchildren. Without wishing to make light of her hopes and expectations, today’s situation is made up of so many variables. The mother wanted her son to undergo hormone therapy, as her stereotype of homosexuality was a drag queen or transsexual, both especially the latter being realities on the contemporary world stage. As for gays themselves, young people are demanding the right to be accepted. Paradoxically, the expectations of a grandmother, with a little tolerance, would be amply fulfilled by her son marrying his male partner and raising a family.

The idiot summary of this situation recently used to be “the love that dares not tell its name now won’t shut up”. Sexual and ethnic minorities are invisibile as far as the social majority is concerned.  Acceptance requires all parties of society to change, to create a new, co-existent reality? I hope so.

4 responses to “Spielberg A I 2001

  1. Steadfast January 27, 2017 at 11:55 pm

    Nice post

  2. Marjorie Crawley January 28, 2017 at 12:03 am

    Thank you Anton for another of your interesting essays. I’ve not seen the film, it sounds heart rending. I have been to India and as a mature student at uni took religious studies as I wanted to study belief systems intellectually. Eventually started to specialise in Indian Religion, read the Ramayana and was taking a structuralist look at its symbology. In this epic, one of the brothers went to war in female clothing his garments flying in the wind. I had seen a group of Indian men dressed in gorgeous flowing drapes some years before and was told that India accepted cross dressers. I’m sorry if this has changed. It was explained that India was like a sponge, it accepted everyone and found a place for everyone. It’s a long long time ago. Things change and of course there’s always the possibility that we don’t understand the situation when we think we do.

    Thank you again

    Marjorie

    Sent from my iPad

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    • anton veenstra January 28, 2017 at 1:49 am

      thank you Marjorie; I think the situation is indeed fluid. Young people are no longer accepting invisibility, the better for their psychic growth. As for religious symbolism, the Marigold movie series has a maharajah’s wife talk about the untouchables, that they are happy with their lot knowing that they will re-incarnate as someone better. Piffle, I say. Meanwhile, in the Big Bang Theory, of which I am an avid viewer, the Indian astro-physicist, Raj goes with the group on a tour of LA churches. In a catholic church with its standard grusome iconography (which I grew up with) Raj looks at a crucifiction and sdays ” you would never find this in India. Except there you find Kali with a necklace of skulls etc, a quite colourful gory symbolism. No comparisons needed.

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